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Death's Half Acre dk-14
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Death's Half Acre
( Deborah Knott - 14 )
Margaret Maron
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
Copyright © 2008 by Margaret Maron
All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
Grand Central Publishing
Hachette Book Group USA
237 Park Avenue
New York, NY 10017
Visit our Web site at www.HachetteBookGroupUSA.com.
First eBook Edition: August 2008
ISBN: 978-0-446-53788-9
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Deborah Knott novels:
HARD ROW
WINTER’S CHILD
RITUALS OF THE SEASON
HIGH COUNTRY FALL
SLOW DOLLAR
UNCOMMON CLAY
STORM TRACK
HOME FIRES
KILLER MARKET
UP JUMPS THE DEVIL
SHOOTING AT LOONS
SOUTHERN DISCOMFORT
BOOTLEGGER’S DAUGHTER
Sigrid Harald novels:
FUGITIVE COLORS
PAST IMPERFECT
CORPUS CHRISTMAS
BABY DOLL GAMES
THE RIGHT JACK
DEATH IN BLUE FOLDERS
DEATH OF A BUTTERFLY
ONE COFFEE WITH
Non-series:
LAST LESSONS OF SUMMER
BLOODY KIN
SUITABLE FOR HANGING
SHOVELING SMOKE
For Rebecca Blackmore, Shelly Holt, and John Smith with deep appreciation for their time, their wisdom, and their endless generosity
EASTER MORNING
Inside the windowless Church of Jesus Christ Eternal, the Easter Sunday sermon is drawing to a close. Although Mr. McKinney has been known to preach for two hours or more when thoroughly aroused, services usually end around noon. Thinking that she hears a winding-down tone in his voice, the teenage pianist quietly turns the pages of her hymnal to the closing hymn the preacher selected at the last minute. An odd choice for Easter, she thinks. Not that it is hers to question, but the other hymns celebrated the resurrection while this one harkens back to the cross and is less familiar to her than some.
The thorns in my path are not sharper / than composed His crown for me;
The cup that I drink not more bitter / than He drank in Gethsemane.
She has to squint to see the shaped notes because the fluorescent tubes overhead are flickering and buzzing again. She has been told these are cheaper than regular light fixtures, but the flickers hurt her eyes.
Not for the first time, she wonders why they couldn’t have windows here in the sanctuary. Surely God’s natural light would be so much better? But Dad says Mr. McKinney vetoed colored glass as too costly, and clear glass would rob them of their privacy.
“I don’t think we’re likely to have peeping Toms,” one of the deacons said when they were first shown the blueprints for their newly founded church, but Mr. McKinney reminded them of the Biblical injunction to pray in secret, “And thy Father, who seeth in secret, shall reward thee openly.”
“Besides,” said another, “without windows, it’ll be cheaper to build and more economical to heat and cool.”
All of this her father reported with approval. When their old church split down the middle because the more worldly members wanted to spend the Lord’s money on new carpets and pew cushions, Mr. McKinney announced his intentions of building a plain church out of his own money, a church where God would be worshipped in deeds and sacrifice, not with creature comforts and ornamentation. Her dad’s favorite saying is “Look after the pennies and the dollars will look after themselves,” and he likes it that Mr. McKinney feels the same way.
Her mom is less impressed. She has heard that Mrs. McKinney comes from money and that it is actually her inheritance that built the church even though Mr. McKinney has never said so.
From her seat at the piano, the girl can look out over the congregation while appearing to pay strict attention to the sermon. Last Sunday the pews were filled with dark colors and heavier fabrics. Today the girls and women wear colorful spring dresses and she feels pretty in her own sky-blue dress.
And there is Mrs. McKinney, seated on the front pew, looking almost pretty herself in a neat navy blue suit. The suit itself is old, but her high-necked white blouse is edged in crisp white lace and looks new. Her long brown hair is brushed straight back from her face and held at the nape of her neck with a matching navy blue ribbon. No lipstick, of course. Mr. McKinney does not approve of makeup, though several of the women shrug their shoulders at that and her own parents let her wear lipstick as long as she stays with pastel shades.
Idly, she wonders what it would be like to marry a preacher and always know the right thing to do. Probably nothing like marriage to the tall handsome boy who makes her feel confused and stupid whenever she goes into the barbecue house where he waits tables in the evenings. Not that she is allowed to date yet and not that her parents would let her date one of the Knott boys anyhow. They want someone safe and reliable and average for her.
Mr. McKinney is average—average height and average weight, although he is beginning to get a little potbelly and the shadow of a double chin. He has more hair than a lot of men his age and he is not particularly handsome, but his deep-set blue eyes seem to look from his soul straight into hers and his voice has the range of an organ. That voice can reduce a sinner to tears, it can stir the righteous to anger over society’s moral lapses, it can soothe and comfort the afflicted.
As if reading her thoughts, the preacher’s voice changes and she realizes that he is not winding down after all. Instead, his voice introduces a new subject and he goes from talking about Jesus’s sacrifice and resurrection to the Easter lilies massed around the pulpit, which he compares to the colorful new clothes that bloom on the women today.
The lilies are here to celebrate the rebirth of Christ, he tells them. Pure, white, and chaste. Then, in a voice that holds more sorrow than accusation, he asks the women to examine their hearts. Do they wear their new spring clothes to honor Christ or is it from sinful pride? A desire to put themselves forward?
“Remember the words of Paul.” After taking a sip of water, Mr. McKinney turns the pages of the large Bible in front of him and begins to read from Timothy II, “ ‘Let women adorn themselves in modest apparel with Godly fear.’ ”
All around the sanctuary, the feminine eyes that had been fixed on the preacher begin to drop. Even the pianist feels a pang of guilt because yes, when she looked at herself in the mirror this morning and was pleased by her reflection, the
re had been no praise for Jesus in her heart, only sinful pride at her trim waist and the way the dress fit smoothly over her small breasts. Stricken, she looks at her mother, seated near the back in a new pale green suit-dress. She has not lowered her eyes, but continues to look back at the preacher without shame and with nothing but attentive interest on her face.
“ ‘Let the woman learn in silence with all subjugation,’ sayeth Paul. Silence not only of the tongue, but of the body as well, not calling attention to one’s dress. ‘For Adam was first formed, then Eve. And Adam was not deceived, but the woman, being deceived, was in transgression.’ Dear sisters and daughters in Christ, I cannot look into your hearts today and know the transgressions there. Only you and your Lord can say if you dressed with pride or to honor the risen Lord Jesus. I can only repeat the words of Joshua: ‘As for me and my house, we shall serve the Lord.’ ”
He pauses to take another sip of water. “Paul says, ‘If a man knows not how to rule his own house, how shall he take care of the church of God?’ My own wife knows my thoughts on this matter and dresses appropriately. Proverbs 31. ‘Who can find a virtuous woman? Her price is far above rubies.’ ”
Several eyes turn toward Mrs. McKinney, whose head is bowed now, her face red with embarrassment at being praised and made the center of their attention.
“As a child obeys its father, so does a virtuous wife obey her husband. Whatsoever I ask of her, she will do, whether or not she sees the wisdom of it. Why I could spit in this glass of water and ask her to drink it and she would obey.”
Then, to the teenage pianist’s horror, the preacher spits into the water and holds the glass out to his wife. “Come, Marian.”
From her seat on the piano bench, the girl sees Mrs. McKinney’s eyes widen. There is a stricken look on her plain face and she shakes her head in bewilderment as if she cannot understand his words.
“Marian?”
Tears well up in the woman’s eyes when she realizes that he is serious. “Please, husband, no,” she whispers. “Don’t make me do this.”
Implacably, he continues to hold out the glass. “A husband does not make his wife do anything,” he says. “He lets his wishes be known and she submits graciously of her own free will as God has commanded.”
The congregation sits in utter silence, holding its breath.
Slowly, Marian McKinney comes to her feet. Tears stream down her cheeks and her face crumples with the effort not to break into sobs. Each step to the altar seems an effort of will. At last, she takes the glass and raises it to her lips, and the girl sees her gag. Then, with eyes clenched tightly shut, she forces herself to drink.
As she stumbles back to her place on the front pew, Mr. McKinney beams. “This is my beloved wife in whom I am well pleased. Let us pray.”
His words roll out over the congregation and in their name, he thanks the Lord for the gift of blood that cleanses whiter than snow and for the promise of eternal life to those who love Him and honor Him and keep His commandments.
When everyone stands for the singing of the final hymn, the pianist suddenly realizes that her mother is no longer in the church.
CHAPTER 1
. . . this is life, and there is no theory for it . . .
—Fiddledeedee, by Shelby Stephenson
NINE DAYS LATER
Tuesday morning’s light mist lay over the field of young tobacco. It softened the air and turned the tall pines beyond into gray shadows of themselves. The recently turned earth gave off an honest aroma that was sweet to the old man who stood motionless to take it all in. Another year, another spring. Here in late April, the plants were only knee-high with no hint of the pink blossoms to come, their leaves still small and crisp and deep green. Everything fresh and young.
Everything but me, the old man told himself.
One of two dogs beside him nudged his hand with a muzzle that had, in the past year, become almost as white as his master’s hair. The man looked down with a rueful smile. “Yeah and you, too, poor ol’ Blue.”
He scratched the dog’s soft-as-velvet ears, then the three of them ambled slowly on down the lane that circled the perimeter of this field. Cool early mornings used to mean the beginning of another day of hard sweaty work—fields to plow, animals to tend, the hundred and one backbreaking chores that make up a farmer’s daily life.
Back at the house, Sue and Essie would be fixing breakfast, rousting the boys out of bed, asking the older ones to fill the woodbox and feed the chickens, sending the younger ones off to school . . .
The whole farm would buzz with meaningful work and raucous laughter.
He almost never thought about his first wife, but Annie Ruth had always liked mornings best, too. More times than he could count, she would be up before him. She scorned mirrors and plaited her hair by touch alone into a long thick braid as she looked out their window to watch the first light define the trees and fields beyond.
“Time to get moving,” she would say briskly if he lay in bed too long to watch her.
Now his house was silent and empty every morning until Maidie came over to make breakfast; and even though he only piddled at working this past year or two, he still felt driven to walk the back lanes each day, to see his fields and woods as fresh and new as the dawn of creation, to make sure that everything was well within the borders of his land. Annie Ruth had usually been too busy to come walking, but Sue used to say, “Now don’t you look all the pretty off the morning till I can come, too,” and she would often slip away from the demands of the boys and the house to join him out here.
Together they would pause to enjoy the dogwoods that bloomed among the tall pines, to smell the sweet scent of wild crab apples on the ditchbanks or note that the corn could use a little side-dressing of soda to green it up. Away from the house and the boys, they could talk about the larger issues in their life together, the needs of someone in their extended families, or the help they might could give the proud man who was having a hard time of it. They could discuss what to do about Andrew or Frank and whether a good talking-to would be enough to keep those two out of trouble or if it was going to take a trip to the woodshed to get the point across.
Yet they had all turned out well, he thought, as he ran their faces through his mind, taking stock of his sons as he took stock of his land. The Navy had straightened Frank out; and Sue’s patience and April’s love had straightened Andrew. There were problems with some of the grandchildren, but they would come out right in the end, too. Of this he had no doubt.
A few feet ahead of him, the younger dog suddenly went on alert. He followed the direction of her point and saw a doe emerge from the woods at the far edge of the field. Behind her two young fawns hesitated, half hidden by the grapevines that hung down from the trees. Ladybelle gave an almost inaudible whine and Blue strained to see what had alerted her. Both of them looked back at him, but he gave the hand signal to stay and they obeyed. Nevertheless, the doe had caught his slight movement and she and the fawns melted back into the trees.
As the sun rose behind the pines and began to burn off the mist, he heard the sound of a motor and turned to see a small black truck slowly easing through the sandy ruts. He stood quietly until the truck pulled even with him and the driver cut its engine. The white man behind the wheel appeared to be in his mid-thirties and wore a gray work shirt with the name ENNIS embroidered in red on the breast pocket. His short brown hair had thinned across the crown but he had not yet begun to go gray.
“Sorry to bother you, Mr. Kezzie, but Miz Holt said you were out here and might not mind.”
“Not a bit,” Kezzie Knott said politely and waited for the man to identify himself.
“You probably don’t remember me, but I’m James Ennis, Frances Pritchard’s grandson.”
The Pritchard land touched some that he owned over in the next township and Kezzie nodded at that familiar name. “You must be one of Mary’s boys.”
“Yessir.” The younger man got out of the truck and extended
his hand.
“What can I do for you, son?”
“It’s about my grandmother, Mr. Kezzie. She’s about to give away more of our land. Grandy might’ve left it in her name, but you know good as me he wanted her to pass it on down to my mother. It’s been in our family over two hundred years and yeah, nobody wants to farm it any more, but it don’t seem right for her to let somebody have for free what the whole family’s sweated and bled for all these years. She says she’s giving it back to the Lord, but it’s not the Lord’s name that’s gonna be on that deed.”
Kezzie Knott lit a cigarette from the hard pack that was always in his shirt pocket and leaned against the truck to listen to a story whose outline had become all too familiar in the past few years. Land you could hardly give away thirty years ago was now so dear that the income it brought in barely paid the rising taxes. The details might be different but the results were often the same—old folks talked out of their land for peanuts on the dollar value while some slick developer made a bundle. The only difference here was that the slick operator was a preacher and not a developer.
“She’s always talked about you with respect, Mr. Kezzie. I was thinking that maybe if you could speak to her? It’s not just for me and mine neither, but you remember Nancy, Mama’s only sister?”
Kezzie Knott nodded. Frances Pritchard’s older daughter must be close to sixty now and still had the mind of a sweet-natured three-year-old.
“He’s promised Granny he’ll take care of Nancy till she dies but you know how much a promise is worth.”
“No more’n the air it’s written on,” the old man agreed. “Now I can’t make you no promises myself, son, but I’ll look into it for you and see what I can do.”
If nothing else, he thought, there was someone in the deeds office that he might could get to lose the papers and snarl up the transaction with red tape for a few weeks.
Mid-afternoon and Cameron Bradshaw firmed the dirt around the last of the purple petunias, then sat back on his padded kneeling stool to admire his handiwork.